“The only thing that interferes with my learning is my education.” (Albert Einstein)

This is the fourth of my planned daily posts for the wonderful 1937 Club, running all week and hosted by Kaggsy at Kaggsy’s Bookish Ramblings and Simon at Stuck in a Book.

Today I’m looking at the fifth of Angela Thirkell’s Barchester novels, Summer Half. Although strictly speaking, Barchester only features now and again, most of the novel being set in Southbridge School and the master’s homes.

Reading Angela Thirkell can be a trepidatious experience. I really enjoy her comedy, but she can also be an unmitigated snob and racism can filter in too. Thankfully, although there were brief elements of both in this novel, they were always short-lived. There are also repeated references to hitting women thrown casually into conversation, although no suggestion it would actually occur.

Those elements aside, I was in the mood for a comic novel featuring events of no consequence, and that was exactly what I got. I really enjoyed it!

Summer Half begins with Colin Keith, the least interesting of the characters, deciding to take a job teaching the Mixed Fifth at the local public school, Southbridge. His father is keen for him to become a barrister, but Colin decides for wholly flimsy reasons to educate the young. He has no vocation for it and finds the prospect terrifying.

“He saw himself falling in love with the headmaster’s wife, nourishing unwholesome passions for fair-haired youths, carrying on feuds, intrigues, vendettas with other masters, being despised because he hated cricket, being equally despised because he didn’t know the names of birds, possibly being involved in a murder which he could never prove he hadn’t committed, certainly marrying the matron.”

None of the above happens and thankfully the Mixed Fifth decide they like him and don’t give him a hard time. The irrepressible Tony Morland from earlier Barchester novels features – now an adolescent – along with his friends Eric Swan and chameleon-loving Hacker.

“Hiding their eagerness under an air of ancient wisdom, critically kind, agreeably aloof, living private lives in the public eye, exploring every wilderness of the mind, yet concerned with a tie or scarf.”

The Masters live in school during term time, and so Colin befriends Everard Carter, a teacher of ability and dedication, who isn’t remotely sentimental about his charges but admits: “I’m wretched without them.” There is also grumpy, socially inept Philip Winter, (a communist!) engaged to Rose Birkett, the beautiful “sparrow-wit” daughter of the headmaster.

Rose is the nearest the novel has to a villain, and she isn’t really villainous. She’s just monumentally self-focussed and devoid of any capacity to comprehend anyone’s needs beyond her own. She enjoys male attention (presumably because admirers will want to please her) and continuously gets engaged:

“What significance, if any, she attached to the word engaged, no one had yet discovered, unless it meant being taken out in the cars of the successive young men to whom she became attached. Her parents very much hoped she would grow out of the habit in time, but for the present all they could do was tolerate young Mr Winter and hope for the best.”

Colin takes Everard Carter to his home over the holidays, where he promptly falls in loves with Kate Keith, Colin’s sister.  Her frankly pathological obsession with darning everyone’s clothes and sewing on buttons doesn’t stop Carter from falling in love at first sight: “he saw his journey’s end”.

Lydia, Colin’s youngest sister, is quite the contrast to Kate. She is boisterous and given to fits of passion over Horace and Shakespeare, while proclaiming a future for herself of staying unmarried and breeding golden cocker spaniels. She also has no qualms about ripping her clothes, stuffing her food, and starting arguments with people she has perceived as doing wrong by those she cares about.

Needless to say, Lydia and Tony become good friends. I thought they were perfectly suited, both being characters I like and enjoy immensely in books, yet would find irritating beyond belief in real life.

We follow this privileged set through a summer of school, picnics, punting on rivers, tennis, croquet, unfounded jealousies and rivalries which are resolved amicably, and the most English of love affairs:

“If he did touch her he thought he might go mad, and as he was right at the end of the pew farthest from the door, that would have been uncomfortable for everyone.”

Summer Half is an ensemble piece where everyone bumbles along together more or less agreeably. Spiky, rude Philip is quite the reformed character by the end, and Rose remains entirely unreformed but nor is she punished.

There are some great comic set pieces, including such dramas as an overflowing bath, and the cleaning of a pond to avoid church attendance. That’s about as high as the stakes get, which was entirely what I wanted.

Summer Half  is an enjoyable, escapist read with no aspirations towards being anything other than it is, as Thirkell’s disclaimer at the start would indicate: “It seems to me extremely improbable that any such school, masters, or boys could ever have existed.” Sometimes we need a break, and for me this was exactly the right novel at the right time.

To end, there are many songs about summer which I could choose, but I’ve opted for this completely bonkers video, set for reasons that are entirely unfathomable, in a boys boarding school. It’s no wonder our country’s in the state it is if this is what goes on at Eton:

“There are few pleasures like really burrowing one’s nose into sweet peas.” (Angela Thirkell)

Hello lovely bookish blogosphere and a very Happy New Year to you all! May 2020 bring you lots of reading joy.

I disappeared from the interwebs for the last few months of 2019 because pesky real life got in the way. Work was hectic and I had renovations going on in my tiny flat which although minimal, still somehow involved turning my home into a dusty, dirty assault course for weeks on end and all my books piled up in boxes. Definitely #FirstWorldProblems and I’m not complaining, but it did put paid to my blogging, and catching up with all your blogs.

Now my books are back on brand new shelves (grand total of sacks cleared out to the charity shop: 22! Effect on my bookshelves: none whatsoever!) and my computer isn’t under a layer of filth I’m looking forward to posting again and reading all your wonderful words.

While all this was going on I found it hard to read anything too demanding or stressful. This was not the time for reality, especially with the election being part of that reality ☹ I needed escapism. I needed rescuing. And rescued I was, by a woman who died in 1961.

Angela Thirkell was born into privileged circumstances (as can be guessed from the portrait) and was connected to lots of famous types including pre-Raphaelite painters, Kipling, JM Barrie and Prime Minister Stanley Baldwin. Her life wasn’t all roses though, and I think her novels set in Trollope’s  fictional Barsetshire are fully intended to be a pleasant distraction rather than any attempt at portraying reality.

In High Rising (1933) widowed writer Laura Morland arrives in the titular village with her brattish son Tony to spend Christmas (they have a London flat for the rest of the year, obvs). What immediately won me over was that Tony was an immensely irritating child and at no point are readers supposed to find him sweet or endearing:

“Laura wondered, as she had often wondered with the three older boys, why one’s offspring are under some kind of compulsion to alienate one’s affections at first sight by their conceit, egoism, and appalling self-satisfaction […] He returned from school rather more self-centred than before, talking even more, and, if possible, less interestingly. Why the other boys hadn’t killed him, his doting mother couldn’t conceive.”

Tony is awful, but he’s not a bully or spiteful, and he is unintentionally funny. There’s no sentimentality here about motherhood, or widowhood, as the dear departed is described thus:

“Laura’s husband, that ineffectual and unlamented gentleman”

The death of Laura’s husband meant she had to earn a living and she decided to do so by writing sensation novels:

“I thought if I could write some rather good bad books, it would help with the boys’ education.’

‘Good bad books?’

‘Yes. Not very good books, you know, but good of a second-rate kind.”

 I know Angela Thirkell didn’t rate her own writing, so it’s hard not to see that as an autobiographical touch, but I think High Rising is a bit better than that. It’s a funny, warm and affectionate portrayal of the village inhabitants and plotted with the lightest of touches.

Laura has a friend, fellow writer George Knox, who lives in Low Rising with his daughter Sibyl. He has a new secretary, Miss Grey, who is viewed with suspicion by all. More suspicious to me was the fact that George was published, because if he wrote anything like he spoke he’d be absolutely unreadable:

“ ‘My dear, dear Laura,’ he cried, sweeping her into a vast embrace, ‘this is divine. I must kiss you, on both sides of your face, owing to my French blood. I was half asleep upstairs, desiccated in mind, ageing in body, and now you are here and everything lives again.”

Can Laura rescue George, foil Miss Grey, find Sibyl a husband and stop Tony from falling on the railway tracks? What do you think? 😉

Secondly Wild Strawberries (1934) which was given to me by Sarah from Hard Book Habit, who sadly don’t seem to be blogging anymore and are much missed for their funny and insightful reviews – fingers crossed for their return.

I didn’t enjoy this quite as much as High Rising, but I did still find it diverting at a time when I really couldn’t manage anything heavier. Matriarch Lady Emily Leslie is absent-minded in the extreme, causing mild-mannered chaos and disarray wherever she goes.

“At her daughter Agnes’ wedding to Colonel Graham she had for once been on time, but her attempts to rearrange the bridesmaids during the actual ceremony and her insistence on leaving her pew to provide the bridegroom’s mother with an unwanted hymn book had been a spectacular part of the wedding.”

Agnes is now mother to a brood of young children and thank goodness she has nannies and maids because she is flaky in the extreme:

“She now lived in a state of perfectly contented subjection to her adoring husband and children. Her intelligence was bounded by her house and her exquisite needlework, and to any further demands made by life she always murmured ‘I shall ask Robert.’”

The Leslie family live in a country pile “its only outward merit was that it might have been worse than it was” where all the children arrive for the summer – kind John, rakish David, their nephew Martin, a callow youth of 17 who will inherit; and Agnes’ niece Mary who is 23 and enjoying a country summer with relations she hasn’t met.

There is no real plot, except a vague momentum towards Martin’s birthday party. The romantic focus comes from Mary falling for David, who is entirely unsuitable, while a more suitable match remains seemingly out of reach… This is not a novel of subtle characterisation, or complex unpredictable plots. In other words, it was just what I needed and I do recommend it for when you find yourself in a similar predicament.

In recent years, as the overprivileged classes in my country seem so intent on bringing us to ruin with a total disregard of anyone who gets in the way of their acquisition of power, I’ve found it hard to stomach my usual comic reads of Wodehouse and Mitford. I still like both those authors, but I just can’t laugh at daft toffs right now, when they’re so dangerous. I think the reason I could still enjoy Thirkell was that her characters are a bit more concerned with reality, such as the need to earn money (for some of them), and she asks us to laugh primarily at human foibles, who happen to be portrayed amongst the upper classes in this instance, but are by no means exclusive.

However, I should include the warning that there are some repugnant racist views and language expressed in both books which, although short-lived, are really horrible.

To end, I’m starting the year as I mean to go on, with rubbish 80s pop videos. Usually there’s a highly tenuous link to the post and I was going to go with Strawberry Switchblade, but I recently discovered the shocking news that my mother has no memory of this duet, so this is for her. I can only assume Gene had the better agent, because he gets chauffeured about in a snazzy tie and cummerbund combo, while Marc has to hang around by the bins: