Minna Needs Rehearsal Space – Dorthe Nors (2013, transl. Misha Hoekstra 2014) 89 pages
I really enjoyed Dorthe Nors’ Mirror, Shoulder, Signal as the final novella when I first undertook this month-long challenge back in 2018. Since then I’ve read her short story collection Karate Chop, and was delighted to find Minna Needs Rehearsal Space in my beloved charity bookshop. I think it has been published in editions with Karate Chop, but this Pushkin Press edition was standalone.
This is definitely a novella where the style will alienate some readers. It’s written entirely in a series of short sentences.
“Minna walks around in bare feet.
The flat is full of notes.
Bach stands in the window.
Brahms stands on the coffee table.
The flat’s too small for a piano, but
A woman should have room for a flute.”
At first I wasn’t sure I could read a whole novella like this, but then I suddenly clicked with the rhythm and it seemed a lot less jarring.
Minna is a musician living in Copenhagen, trying to write a “paper sonata” and struggling to find a place to work. She is struggling more widely too: with ambivalence towards potential motherhood; with her tightly-wound sister; with her boyfriend who has just dumped her by text.
This spurs Minna to do some dumping of her own, as she unfriends people on social media.
“Minna eats a cracker.
Karin’s missive awaits.
Karin wants to be nasty.
Karin wants to upset her applecart, but
Minna’s cart has no apples.”
She ends up packing Ingmar Bergman’s Billeder as the director becomes almost a Greek chorus/silent interlocutor, when Minna heads for Bornholm and the sea.
The short sentences act as constant present-tense status updates, a commentary on our online living. Yet by piling on the banal observations, gradually a more subtle picture emerges between the sentences. Minna’s frustrations and vulnerabilities shine through. It’s a brave approach which for me worked well, but I already knew I liked Nors’ observations, characterisation and humour.
Minna Needs Rehearsal Space is a reminder to look beyond what is immediate to a whole picture; one that is always changing in the present and is much more complex than the surface would have us believe.
“Minna’s broken heart dwells in the breast of an optimist.”


