It’s been hugely stressful few weeks, which meant my reading has fallen off a cliff. I didn’t get to my final read for #WITMonth but I hope to at some point (Magda Szabo’s The Door, where the bookmark has sat at page 50 for four weeks, despite my really enjoying it), and we’re two-thirds through September where I’ve failed to take part in SpinsterSeptember or ShortStorySeptember, both of which I was really looking forward to.
However… I have handed in my notice at work now, with no job to go to…
And while this is incredibly anxiety-provoking I think it speaks to it being the right decision that my reading has resumed (imperfectly, but resumed!) and I’m catching up on the blogosphere too 😊
So, this is a contribution to Short Story September hosted by Lisa at ANZ Lit Lovers. Hopefully I’ll get to some more of the short stories languishing in the TBR, even if it will be fewer than I planned. Do head over to Lisa’s blog to find out more, and join in!
The Casino by Margaret Bonham (1948), a collection of short stories which is Persephone No.48 and features an enlightening forward by Bonham’s daughter, Cary Bazalgette. Lisa has asked us to focus on one story, so I’m just going to focus on the titular one, but the whole collection is really a strong one.
A group of teenage girls are excited and trepidatious at the thought of going unaccompanied to the casino in the French seaside town in which they are holidaying. Bonham captures perfectly that time of life when you are not quite an adult and are impatient to experience the adult world, while finding the whole prospect terrifying and wishing you could be at home in your pyjamas.
“In the dusk, Giselle waited outside the iron gates. Her frock was pink and stuck out like a cake-frill, she undulated and giggled. In a line of four they went down the street towards the sea, past Sainte Claire where Giselle waved and Valentine looked sideways at seeing M. Chabouillard’s face a round whiskered disapproving moon at the window. Between Kitty’s steel confidence and Valentine’s detachment, Rhys walked with her eyes on the heaving channel, thinking of ruin.”
In a short space Bonham draws fully recognisable portraits of the girls. Kitty is determined to get on with adult life, Rhys is scared by the whole thing, Giselle naïve and child-like, Valentine somewhat indifferent and preoccupied with her painting.
The evening is one of anticipation, and of course it is an anti-climax:
“The restaurant was half-full, stuck with pink paper roses in white and gilt trellis. At the far end a damp, pink band played, the floor was cleared for dancing, the tables crowded round the walls. Kitty looked sulky, and ordered coffee without asking if anyone wanted something else, and at this Rhys was very much relieved, for her anxious fears had drawn a table covered with bottles of brandy, the bill paid by a leering stranger and Kitty the receipt. In her dark-red dress that gave her no pleasure she sat breathing carefully with her back to the wall.”
My comparable teenage experiences were of south London pubs and horrible West End nightclubs 😀 Yet this description of a provincial French casino really evoked for me the disappointment of the banal detail found in something you’ve been simultaneously dreading and enticed by when you’re a young adult.
It’s the perfect story with which to start the collection. Margaret Bonham really understands the art of the short story. Not a word is wasted in her sharply observed tales, and she writes with a light touch that belies her acute psychological observations.
To end, regular readers will be familiar with who I turn to in times of stress (although I must say I’ve been really touched by the unwavering support of my friends. There were some I put off telling because I thought they’d say “What the hell are you thinking???” They didn’t, and I feel quite teary about it all. Almost worth handing in my notice for!) Now back to David:

