Novella a Day in May 2019 #2

The Reader on the 6.27 – Jean-Paul Didierlaurent (2014, trans. Ros Schwartz 2015) 194 pages

Easily the worst part of my day is my commute. If London rush hour had existed in fourteenth century Italy, I’m sure Dante would have made it one of his circles of hell.

But if Guylain Vignolles was on my morning tube, I’m sure things would be vastly improved. This titular hero is thirty-six years old and lives alone save for a goldfish named Rouget de Lisle V. He finds people difficult and so he has become something of a loner.

“His aim was to be neither good-looking nor ugly, neither fat nor thin. Just a vague shape hovering on the edge of people’s field of vision. To blend into his surroundings until he negated himself, remaining a remote place never visited.”

However, there is one point in his day when he does not blend into his surroundings. On his morning commuter train he reads the passengers excerpts from random books. They are pages he has rescued from his job at a book-pulping plant, a job he hates. Stealing the pages away from under the surveillance cameras of his horrible boss and disturbingly enthusiastic colleague is an act of rebellion, of resistance against the disregard shown to the books and all they contain.

“When the train pulled out of the station and the passengers alighted, an outside observer would have had no trouble noticing how Guylain’s listeners stood out from the rest of the commuters. Their faces did not wear that off-putting mask of indifference. They all had the contented look of an infant that has drunk its fill of milk.”

Despite his odd manner and social reluctance, Guylain does have friends. There is the security guard who only speaks in a very particular poetic style:

“The day he discovered the alexandrine, Yvon Grimbert had fallen head over heels in love. Faithfully serving the twelve-syllable line had become his sole mission on earth.”

There is also his ex-boss, who had a terrible accident at work:

“Giuseppe Carminetti, former chief operator of the TERN treatment and recycling company, ex-alcoholic and ex-biped, was going to do his utmost to recover the books that contained what was left of his pins.”

Yes, you read that correctly. Giuseppe’s legs were pulped along with some books and subsequently turned into paper. He is now fixated on hunting down all the books that were printed on such paper, thereby reclaiming his legs.

You may have realised by now that you need a pretty high tolerance for whimsy when reading The Reader on the 6.27. I have a high threshold and so I really enjoyed this novella. The idiosyncratic characters are still believable, and their relationships touching. The power of the spoken word and of literature in all its forms is comically evoked – particularly when Guylain gets recruited to read at a retirement home – but is still a powerful message.

Guylain’s reading matter changes when he finds a memory stick in his usual seat which contains the diary of Julie. While it’s undoubtedly intrusive that he reads the diary its believable that he is trying to do so in order to return the stick to its owner.

Unlike with whimsy, my tolerance for male protagonists falling in love with objectified female fantasy figures is rock-bottom. For me, Didierlaurent got the balance for this part of the story right, and Julie has strong, authentic female voice.

There’s no sense at any time that this sweet story isn’t going to play out in a truly cockle-warming way so it’s not a surprising read, but then it’s not trying to be. A tale of outsiders who, though they would never realise it, are absolutely charming.

Novella a Day in May 2019 #1

Portrait of the Mother as a Young Woman – Friedrich Christian Delius (2006, trans. Jamie Bulloch 2010) 125 pages

Dear Reader, I’ve been somewhat absent from the blogosphere recently and I’ve really missed it. This was because at the end of March I decided on the spur of the moment to apply for a PhD which caught my eye. I had no plans for further study and so this meant April was spent in whirlwind of desperately trying to get my reading up to date, meeting with old tutors to remind them who on earth I am and begging for a reference, and then writing my application. The deadline is this Friday but I’ve now submitted my application and I’m hoping I might regain my sanity in the meantime. I don’t think I’ll get it, but my tutors have been really supportive and its good to shake things up now and again.

Aaaaaaannnnyway, I really enjoyed blogging on a novella a day in May last year, so I’m throwing myself back into it this year. I had such plans…. NADIM this year was going to be carefully thought through, with a good spread of countries (last year I ignored the southern hemisphere completely and lovely Naomi pointed out I’d also skipped Canada) and a wonderful balance of styles and subjects… yeah, that’s not happening. Instead this month (and I really hope to make it to the end) will be hastily cobbled together posts which completely fail to do the wonderful form of the novella any justice at all. But I still hope I manage to spread some novella love along the way 😊

I thought it apt to start with one from a publishing house that has done so much to champion the form: Peirene Press, who specialise in publishing contemporary European novellas, aimed to be read in one sitting. I’m a big fan of theirs and so I swooped down on Portrait of the Mother as a Young Woman when I saw it in my favourite charity bookshop.

Portrait of the Mother as a Young Woman is set over the course of one afternoon in Rome in 1943. Margherita is 19 years old, pregnant and alone as her husband is serving in the German army in Tunisia. She feels alien in a city where she doesn’t speak the language, and she is walking to a Bach concert at the Lutheran church.

“the immense city of Rome, still seemed to her like

a sea which she had to cross, checked by the fear of all things unknown, of the yawning depths of this city, its double and triple floors and layers, of the many thousand similar columns, towers, domes, facades, ruins and street corners, of endless number of pilgrimage sites for cultured visitors, which she walked past in ignorance, and of the faces of people in the streets, which were difficult to make out, in these stormy times of a far-off war which was drawing nearer every day”

And now, bear with me as I break something to you which you may have gathered from the quote above, which sounds awful but I promise it isn’t: the entire novella is one sentence. Wait, come back! It’s ok, really. Trust me 😉

There are paragraphs which make the whole thing easier, and Delius, possibly because he is a poet, has a great ear for rhythm. This means the sentence, broken by commas, works well in capturing the sense of someone walking, their thoughts falling into the pattern of their steps. I thought it was really effective and such an impressive feat of translation by Jamie Bulloch too.

“for two months she had crossed the Tiber almost every day via the Ponte Margherita, as if that were totally normal, but nothing was totally normal, especially not in these times, each day was a gift, each of the child’s movements in her belly a gift, each verse from the Bible and each glance across the Tiber”

Throughout her journey across the city, we learn about Margherita’s life in Germany and her new marriage. She is religious – daughter of and wife to clergymen – but not given to much reflection, preferring to stay silent in political discussions. Her husband and father are somewhat sceptical of the Reich, but Hitler has been in power throughout Margherita’s childhood and adolescence, she was part of the League of German Girls and it is only now, away from home, that she finds herself beginning to feel confused.

“On her own she could not work out what you were allowed and not allowed to say, what you should think and what you ought not to think, and how to cope with her ambivalent feelings”

Even though nothing of great note happens in the course of the novel, there is still an effective and believable character arc. Cut adrift, Margherita is beginning to learn who she is. There is a sense that this naïve, unquestioning woman is potentially quite steely, and as readers we know she will need that in the months and years to come.

 “She sensed something within her rebelling against the constant obligation to stifle the feeling of longing with her reason and her faith, because feelings were forbidden in wartime, you were not allowed to rejoice with happiness, you had to swallow your sadness, and like a soldier you were forced to conceal the language of the heart”