During this final week of Kaggsy and Lizzy’s brilliant #ReadIndies event, I’m going to focus on three books from Boiler House Press, and their Recovered Books series, which brings “forgotten and often difficult to find books back into print for a new generation to enjoy.”
I bought these books last year after Brad Bigelow, founder of www.neglectedbooks.com and inspiration for the series, tweeted about how precarious things were. This is why #ReadIndies is such a great event for encouraging support and celebration of indie publishers, whose survival is never guaranteed.

In this first post, I’m looking at a tragi-comic novella, Gentleman Overboard by Herbert Clyde Lewis (1937).
Henry Preston Standish, “one of the world’s most boring men”, is aboard the SS Arabella steamship en route from Hawaii to Panama. When he slips on some grease he finds himself plunged into the middle of the Pacific Ocean, with hopes of rescue looking pretty slim.
When he first falls overboard, he finds it hard to raise his voice to shout for help, so deeply ingrained is his social conditioning.
“Men of Henry Preston Standish’s class did not go around falling off ships in the middle of the ocean; it just was not done, that was all.”
As he treads water waiting for the Arabella to notice his absence, he reflects on a life where “He did all the proper things, but without enthusiasm.” It’s a real masterstroke that Lewis makes Standish so ordinary, and places him in a situation that is both extreme but also unchanging – a vast expanse of calm ocean. Rather than making the novella dull, it enables a tightly-focussed narrative with a protagonist that inspires sympathy precisely because he is an everyman.
“The whole world was so quiet that Standish felt mystified. The lone ship ploughing through the broad sea, the myriad of stars fading out of the wide heavens – these were all elemental things that both soothed and troubled Standish. It was as if he were learning for the first time that all the vexatious problems of his life were meaningless and unimportant; and yet he felt ashamed at having had them in the same world that could create such a scene as this.”
Poor Standish takes time to realise the hopelessness of his situation, veering from imagined conversations with his family – still framing his experience within his social milieu even when the nearest person is miles away – to considering drowning as an abstract notion rather than an impending reality:
“It would not be so terrible to drown if a man went about it sensibly, without losing his head.”
Back on the Arabella, the remaining eight passengers take time to realise Standish is missing. Once they do, they invent a trauma for him – his loyal wife has, in their minds, run off with a “gigolo” – and start rewriting their experience of him in this light.
The humour in Gentleman Overboard is finely balanced. Standish’s desperate holding onto behavioural norms which are gradually shed as the enormity of his situation dawns on him, and the entirely fictional life story the other passengers invent for him, poke fun at the ridiculousness of human behaviour. But Lewis never suggests it is funny that Standish is in mortal danger, or that his dullness should mean it’s any easier for the reader to bear witness to his imminent death.
Brad Bigelow’s Afterword explains reviewers thought Gentleman Overboard both too short (The Saturday Review) and too long (Evelyn Waugh). I agree with those who felt the length was just right. It was long enough to create a moving portrait of a man, but short enough that the tight narrative’s commentary on human existence was made with the lightest touch. Truly memorable.
“But now he saw clearly that life was precious; that everything else, love, money, fame, was a sham when compared with the simple goodness of just not dying.”

Oh my…
Have you ever read Pincher Martin by William Golding? That’s about a man drowning too. I’m not sure I could read this without remembering the horror of the Golding novel.
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Oh no, I haven’t! I will look out for it. My library might have a copy… From what you’ve said, I think the tone of this one could be quite different.
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Gosh – good books keep coming your way! Gentleman Overboard is actually already on my list (high on the list too!) as I think I noted it when kaggsy reviewed it not long ago. It is certainly not moving further down the list after reading your review. I had also been looking out for William’s Wife (heavenali I think read it recently). I shall be interested in your thoughts on that and on the other Trevelyan too. What a wonderful event ReadIndies has been – I’ve loved all the indies I’ve read this month. My current one is A Sunday in Ville d’Avray published by Daunt Books (jacquiwine favourite from 2021!).
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It’s been such a great month hasn’t it – #ReadIndies is a wonderful event. So pleased you have this one in your sights!
A Sunday in Ville d’Avray really stayed with me – so atmospheric. I hope you enjoy it!
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Yes I am really enjoying A Sunday in D’Avray. I haven’t read any others by Dominique Barberis but would be keen to try some others too. I see there are several but I haven’t got as far as checking how many are available in English. Sadly, in French is no good for me!
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Same! Hooray for translators 🙂
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Tragicomedy is so hard to pull off but it sounds well done here.
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I really did think it was well done – it never disregarded the life at stake but showed how absurd it all was too.
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Glad you enjoyed this one Madame Bibi–it seems to balance the gravity and lighter/ridiculous aspects of the scenario perfectly. I am looking forward to reading this one as soon as I can.
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It really does balance it all well, I thought it was very well-judged. I’ll look forward to hearing your thoughts on this one when you get to it!
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Fab review of great novella! I really admired all three books in your pic, so look forward to all your thoughts on them.
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Thanks Simon! Apologies for the delay in replying, I just found your comment in spam. Great to hear you enjoyed all of these.
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This sounds brilliant. I saw it at the bookshop here but went too sure but I’m certain I would love it.
I agree with you on #ReadIndies. It’s a great event. I saw so many small publishers closing recently. It’s a tough world.
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I hope you do enjoy it when you get to it Caroline!
It really is tough. It’s such a shame – indie publishers seem to take more risks on publishing books that may not be million-sellers but make the world a more interesting place. I wish it were easier for them.
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I love that more old books are being revived. I’ll check out this press–thanks for introducing me.
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It’s great that these hard to find authors are more available isn’t it? Boiler House Press is wonderful – I hope you find something you enjoy!
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First off, I’m so glad you’ve chosen to focus on this publisher because I think their books are brilliant, and so I hope they carry on!
And this one is such a wonderful story – a real gem, which says so much in such a short form. Really profound, and left me breathless at the end. You’re right – it’s unforgettable!
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Me too Kaggsy! They’re great novels and lovely editions.
This really is such an impressive novella – as you say, a real gem!
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What gorgeous editions! I’ve only just “discovered” him via BlueSky (one advantage of decamping for political reasons and rebuilding elsewhere is finds like this!) and really enjoy the books he features there too.
This sounds like such a powerful read, often the slimmest books pack a punch don’t they.
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Yes, Brad’s BlueSky feed is full of tempting books!
I totally agree, novellas can really use their size to their advantage and be so powerful.
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I’m going to have to read this because I need to know whether he lives or dies! I’ll have a hanky in one hand and a glass of champagne in the other ready for either eventuality
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My lips are sealed 😉
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